Showing posts with label leslie marriott. Show all posts
Showing posts with label leslie marriott. Show all posts

Saturday, 11 September 2010

Father of the bride

Nottingham 2006
Black and white print (1/75)
A widower has a quiet moment with his daughter before she puts her wedding dress on.
Shot using natural light from the kitchen window over the sink. The father is sitting on the work surface.

This is the first in a series of black and white portraits inspired by an exhibition of work by Diane Arbus at the Nottingham Contemporary. The primary inspiration extends only as far as the print format of black and white. The forteen inch square presentation and the fact that the images are portraits. I hope to pick images that are not stricly formal portraiture but reflect a look or mood the subject might not think of as a posed "grin and bear it" image.

The 14 inch square images are available to buy and will be limited edition prints of 20 of each image. Handsigned, mounted and framed.

Sunday, 15 August 2010

Positioning the horizon.

The Art of Photography.
Project: Dividing the Frame.


Nikon D50 ISO200 200mm 1/250sec f/5.6


Nikon D50 ISO200 35mm 1/1600sec f/4.5



Nikon D50 ISO200 70mm 1/2500sec f/4.0
Nikon D50 ISO200 28mm 1/40sec f/4.2

An assortment of images were the horizon moves up and down the frame giving prominance to either the sky or land.

Monday, 9 August 2010

Focal lengths and different viewpoints

The Art of Photography.
Project: Focal Lengths.


Nikon D200 ISO1250 10mm 1/400sec f/10.

A trip to the canal side. This shot taken with a wide angle lens at 10mm showing the length of the canal tow path.


Nikon D200 ISO1250 200mm 1/160sec f/10
Taken from the same place as the first shot but with a 200mm lens picking out the tow path anchor ring and lining up the tow path edge from bottom left to top right of the frame.

Nikon D200 ISO1250 10mm 1/100sec f/10
Now the anchor ring is shot again using the 10mm lens. The edge of the tow path is lined up from bottom left to top right of the frame again but the image is very different.


Nikon D200 ISO800 70mm 1/80sec f/2.8

Nikon D700 ISO800 50mm 1/60sec f/1.8
Two shots with identical settings and subject matter, but two very different results.

Friday, 6 August 2010

Focal Lengths

The Art of Photography.
Project: Focal lengths.


Nikon D700 ISO200 70mm 1/80sec f/2.8


Nikon D700 ISO200 200mm 1/15sec f/2.8

Two images of a subterranean lake shot from one end of the lake to the other. The first is at 70mm taking in the whole cave including the reflection in the lake. The second taken at 200mm showing the seating area at the other end of the lake.


Nikon D200 ISO400 80mm 1/125sec f/16

Nikon D200 ISO400 200mm 1/125sec f/16

Taken on a foggy morning where it struck me that Paul Weller once sang "They were gonna build communities, it was going to be pie in the sky" and here it was. First shot taken of the view at 80mm. Telephoto shot of the block of flats taken at 200mm.

Thursday, 5 August 2010

A sequence of composition

The Art of Photography.
Project: Looking through the viewfinder


Scenes shot whilst waiting for a ferry to Lanzarote, initially shooting general scenes of passengers and the bus driver cleaning his coach. Then spotted this customer talking to the rep silhouetted against the bright morning sun. Slowly getting closer until the shot below which worked even better with the customer gesticulating and the rep holding her trip passenger list against her leg.


Object in different positions in a frame

The Art of Photography.
Project: Looking through the viewfinder.



Original image.


Subject centred.


Subject placed bottom left, providing space for the subject to fly into.



Subject placed top/right of the crop, still as space to fly into but not as effective as the previous crop.

Fitting the frame to the subject

The Art of Photography.
Project: Looking through the viewfinder.
A Conventional Viewpoint.
A detailed closeup of the Suzuki badge and switch gear.
Subject shot fit the frame.

Panning with different shutter speeds

The Art of Photography
Project: Photographing movement

Nikon D200 ISO100 50mm 1/320 sec f/7.1



Nikon D200 ISO100 50mm 1/250sec f/2.8


Nikon D200 ISO100 50mm 1/320sec f/2.8


Nikon D200 ISO100 50mm 1/250sec f/2.8


Nikon D200 ISO200 50mm 1/125sec f/2.8

Various panning shots of motorcyclists. The various shutter speeds giving different feels to the end results, especially the last one which gives a feel of the subject even without any defined focus.

Shutter speeds

The Art of Photography.
Project: Photograping movement.

Two images of the waterfall at Newstead Abbey to show the effect of shutter speed on an image. Both shot with Nikon D50 ISO200 70mm

First image 1/320 sec f/4 which almost freezes the motion showing individual droplets of water.

Second image 1/4 sec which is slow enough to start turning the motion into a milky flow.


Nikon D50 ISO200 35mm 25sec f/4.8

Using a slow shutter speed and a torch bulb to write with light.

Nikon D50 ISO200 32mm 8sec f/11

A church lit by the road traffic, in this case a single decker bus.

Focus at different apertures

The Art of Photography.
Project: Focus

Nikon D700 50mm ISO200 1/25 sec f/1.8
This aperture gives a very shallow depth of view, only a few books in the middle are in focus.
Nikon D700 50mm ISO200 1/3sec f/5.6
This aperture produces a wider depth of view so that more books are in focus.
Nikon D700 50mm ISO200 15sec f/22
This narrow aperture brings everything into focus.

Focus with a set aperture





The Art of Photography.
Project: Focus.
Using a keyboard to show the effects of depth of field.
Nikon D700 ISO200 50mm fixed lens at f/2.2
Focus progresses from keys nearest the camera, the middle of the keyboard and finally the number pad and computer in the back ground.



Tuesday, 11 May 2010

In loving memory of Walter S. Marriott Snr

He was my greatest hero, my rock, my mentor, my councillor, my sounding board for life's questions. I did not always agree with him, but knew his advise came from a place of experience and love.

A lover and a fighter.

In a time of war he was born into a large loving family. Times were tough and so were they, they had no choice. He often told me that you don't back down from a fight. Fight for what you believe to be the truth and if you lose you take your lumps, but at least you fought for what you believed in. Brian mentioned yesterday that the times he fought by dad’s side, Dad never started it, but never walked away from it either. And that includes the times he kicked deaths arse over the last few years.

As a lover he loved with his whole heart. His family always came first. He was the rock they all knew they could rely on. If he could help he would, even if the price included what some might think a lecture. Life was for living and he lived it to the full. He was always cheerful and had time for all. He also had an anecdote for all occasions.

These last few years were tough ones, just like the first 18, but he often told me that between those times he had the best life, and the best of this country. He was only in the army for a few years but relived those adventures on a regular basis. And I would happily let him tell me stories he'd told me countless times before because he liked to, and I liked to hear him. He was young, vital and full of life in those stories. He was the hero of my childhood in those stories. He even named me after his best friend from those army days.

He was my hero for many reasons. As a young lad he and his bothers were my ideal of what a man should always aspire to be. Harder than granite. Yet I also saw the softer side that showed a real man cares for his family and both protects and prepares them from the harsh world around them.
He would take it upon himself to introduce not only myself but many of my cousins to the art of the pub crawl. And many times he told me that it was his way of protecting us. If we were out with him and got into trouble he would be there to help. Until we knew what it was all about, the move from children playing in the street to adults playing in the pub was watched over by our guardian angel.

Memories fade but the scars still linger,
Goodbye my friend,
Will I ever love again?

As I've already mentioned he loved to tell his anecdotes.
He also once sat me down and told me that in a hundred years time no-one would remember any of us, he was right. But they can still be reminded of us.
I would like to leave an open invitation to everyone who knew him to leave an anecdote of their own. Any fond memory of a big hearted man, born on Skipton Circus in December 1942, and died on Skipton Circus in May 2010.